Ewa Vesin
soprano
Artistic Director of the International Antonina Campi Vocal Competition, Ph Melon overseas. D. in Arts. Born in Lublin, Ewa Vesin is a talented singer and teacher. She started her musical education and artistic career in her native city. As an academic teacher at the Karol Lipiński Music Academy in Wrocław and a member of the Polish Association of Teachers of Singing, she has been involved in teaching and preparing the most gifted young people to become opera singers. She mastered her vocal technique and educational competence also at Yale University, USA, with Professor Doris Yarick-Cross and Timothy Shaindlin who recommended her to the Met Opera in New York 시력검사표. Ewa Vesin studied singing at the Academy of Music in Kraków and in Wrocław. She completed post-graduate studies in management at the Faculty of Management, University of Warsaw. She is a winner of the Special Prize and the scholarship of the Minister of Culture and National Heritage (2007). She was honoured with the Bronze Merit to Culture – Gloria Artis Medal (2010) Buddy Rush.
Her passionate performances are acknowledged both in the opera, and in symphonic music. She has often created main roles, e.g. in: Halka by S. Moniuszko, Die tote Stadt by E. Korngold, Otello by G. Verdi, Magic Flute and The Clemency of Titus by W.A. Mozart, Carmen by G 윈도우 뷰어. Bizet, Die Fledermaus (The Bat) by J. Strauss, The Tales of Hoffmann by J. Offenbach, Don Carlos and Il trovatore by G. Verdi, Tosca by G. Puccini, Die Walküre (The Valkyrie) and Tannhäuser by R. Wagner.
Ewa Vesin is also an eager performer of symphonic and oratorio music 안드로이드 SDK. Her repertoire comprises e.g.: Symphony No. 3 – H.M. Górecki, Symphony No. 2 – G. Mahler, Symphony No. 8 – G. Mahler, Messa da Requiem – G. Verdi, Stabat Mater – K. Szymanowski, Symphony No. 9 – L. van Beethoven, Credo – K. Penderecki, Symphony No. 8 – K 실버라이트 동영상. Penderecki. She has taken part in numerous festivals, e.g. Viva il Canto, Wratislavia Cantans, International Wagner Festival, Musica Polonica Nova, Brno International Music Festival, Singing Europe Wrocław, International Ludwig van Beethoven Festival, Leo Festival.
She collaborates with the Grand Theatre – National Opera (TWON) in Warsaw, Beethoven Academy Orchestra, Grand Theatre in Łódź, Kraków Opera, Silesian Opera, Podlasie Opera, Polish National Radio Symphony Orchestra (NOSPR) in Katowice, Polish Radio Symphony Orchestra in Warsaw, Sinfonia Iuventus, Leopoldinum Chamber Orchestra and Symphony Orchestra of the National Forum of Music in Wrocław, National Philharmonic Orchestra in Warsaw, and the National Philharmonic Orchestra in Beijing, with which she performed in Krzysztof Penderecki’s Symphony No Two popes downloaded. 8, conducted by Maestro Penderecki himself. In 2013, on the occasion of the 80th Birthday Anniversary of Krzysztof Penderecki, she performed in Penderecki’s Credo with Sinfonia Varsovia under the baton of Valery Gergiev at the Grand Theatre – National Opera in Warsaw. Between 2003 and 2012, she was a soloist of the Wrocław Opera, and between 2013 and 2014 of the Grand Theatre in Łódź. She has collaborated with world-famous conductors: Krzysztof Penderecki, Jacek Kaspszyk, Valery Gergiev, Alexander Liebreich, Paul McCreesh, Jose Maria Florencio, Ernst Kovacic, Benjamin Shwartz, Tadeusz Strugała, Łukasz Borowicz, Michał Klauza, Tadeusz Kozłowski, Tadeusz Serafin ,Benjamin Bayl, Finnegan Downie Dear and directors: Hans Peter-Lehman, Waldemar Zawodziński, Roberto Skolmowski, Marek Weiss, Laco Adamik, Michał Znaniecki, Tadeusz Bradecki, Andrzej Bubień, Ivo van Hove, Mariusz Treliński and Emma Dante r 패키지 다운로드.
In the season 2018/2019, Vesin sang in the title parts in the premieres of two Puccini’s masterpieces: Turandot at the Podlasie Opera and Tosca at the Grand Theatre – National Opera in Warsaw. She also debuted as Renata in S. Prokofiev’s The Fiery Angel at the Opera di Roma to which she will return as Turandot in premiere performances directed by Ai Weiwei 유리구슬. She also sang Renata in Grand Theatre – National Opera in which she performed as Halka, too.
In the 2019/2020 season, she will debut at the Sydney Opera – as Tosca, as well as in Teatro Municipal de Santiago w Chile (for the very first time) as Maddalena in U. Giordano’s masterpiece Andrea Chénier, and as Aida in the National Theatre in Prag (both role and house debut).
Mateusz Wiśniewski
Born in Legnica, Mateusz Wiśniewski is a gifted manager, linguist and journalist, holder of a PhD title in linguistics and a graduate of three faculties: management – business administration (Wrocław University of Economics), Slavic studies, and journalism and social communication (Wrocław University). He also studied in Czech Republic and Turkey.
He lectures at the University of Wrocław (Institute of Slavic Studies and Institute of Journalism and Social Communication). He is an author of scientific and popular articles, and translator of opera libretti. In 2019 he published his book ‘Libretto and the Art of Its Presentation. Czech Opera in Poland – Selected Issues of Text and Language’.
He has been working in culture industry for many years, collaborating with some important institutions and festivals (e.g. Wrocław Opera, Bach Festival in Świdnica, Music Academy in Wrocław, Festival of Three Cultures in Kępno, a city in Greater Poland, and the Centre of the Meeting of Cultures in Lublin and Teatr Studio in Warsaw in which he helps with the biggest opera project in Poland – Opera on The Parade Square).
He is an initiator, co-founder and President of the Richard Strauss Society Poland, which carries out cultural and educational projects on a national and international scale. He is one of the initiators and Director General of the Antonina Campi International Vocal Competition.
